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1993 single past Janet Jackson

"If"
Janet Jackson lf.png
Single by Janet Jackson
from the anthology Janet
B-side "One More Chance"
Released July thirteen, 1993 (1993-07-13)
Recorded 1992
Studio Flyte Tyme (Edina, Minnesota)
Genre
  • R&B
  • new jack swing
  • trip hop
  • industrial rock
  • hip hop
Length 4:31
Label Virgin
Songwriter(south)
  • Janet Jackson
  • James Harris 3
  • Terry Lewis
  • Harvey Fuqua
  • John Bristol
  • Jackey Beavers
Producer(southward)
  • Janet Jackson
  • Jimmy Jam and Terry Lewis
Janet Jackson singles chronology
"That's the Mode Dearest Goes"
(1993) 		"If"
(1993) 		"Over again"
(1993)
Music video
"If" on YouTube

"If" is a vocal by American vocalizer Janet Jackson from her fifth album, Janet (1993). Jackson co-wrote and co-produced "If" with Jimmy Jam and Terry Lewis, with Harvey Fuqua, John Bristol and Jackey Beavers receiving songwriting credits for the sampling of their limerick "Anytime Nosotros'll Exist Together", performed by Diana Ross & the Supremes. "If" was released as the anthology's second single on July thirteen, 1993 past Virgin Records. It fuses diverse genres, including stone, trip hop and industrial music, with elements of new jack swing and hip hop.

"If" received disquisitional acclamation, with most critics noting Jackson's evolution into a sexual persona from her prior reserved, celibate public image. Information technology received a BMI Pop Laurels for Virtually Played Song and was also ranked amongst Slant Magazine'south Best Singles of the 1990s. It peaked at number four on the US Billboard Hot 100 and was certified golden by the Recording Manufacture Clan of America. It as well performed well in Canada, New Zealand and the Uk.

The accompanying music video for "If" portrays voyeurism, sensuality and intense choreography, while depicting technology that was unavailable at the time, such as touch screens and web cameras. The video received various accolades, including All-time Female person Video and Best Dance Video at the MTV Video Music Awards, and a Billboard Award for Dance Prune of the Year. Information technology was also voted the second best female video of the decade by Idolator. Jackson performed "If" at the MTV Video Music Awards in a medley with "That's the Way Love Goes", in addition to several of her concert tours.

Background [edit]

Jackson's role in the pic Poetic Justice gave her the confidence to endeavour edgier themes musically, commenting "I know it would stupor people, but I'm not doing it for daze value. And I know there are some people that are going to say, 'No, I will not be able to accept this because this is a little girl that we saw when she was 7 years sometime.'" She continued, "Everybody says, 'Oh, my God, you've changed then much. Is this really you?'," described to laugh earlier saying, "Of form information technology'due south me."[1] Virgin Records wanted the song to be janet's lead single, maxim "it could take a bully dance video." Jackson disagreed, deciding to release it as the album'due south 2nd release.[ii] The vocal was written by Jackson in a conference room during a label meeting.[3] Describing the process, Jackson said "In one case you lot get into recording, it nearly has a life of its own. We really got rolling when we did the song "If". Writing a vocal tin happen any kind of fashion ... Jimmy [Jam] was watching a ballgame and playing around on the keyboards. I inquire him to play the chords he was playing again ... "If" turned out to be funkier, gritter." Speaking near its theme, she stated "the song is almost fantasizing. I've had those feelings [expressed in the vocal]..it'due south my time to share!"[three] Jackson added, "[its] nigh a girl who goes to a club and fantasizes about this guy: serious fantasies most the things she'd do to him if she was his girl – the positions and things like that. But she's non, so she can't, so she gets pretty frustrated in the second poetry – without it being too much. It'south nonetheless within skillful gustation."[4]

Critical reception [edit]

"Jackson is consumed with sexual fantasies of a man who doesn't even know she exists. Wailing guitar chords and hip-hop programming motion this punchy, fast-paced dance number equally Jackson creates erotic pictures in the mind of her shortlyhoped-for lover to go to his physique."

—Telegram & Gazette on "If"

"If" was acclaimed for its innovation and sonic progression, equally well as its sexuality and usage of multiple genres. Patrick Corcoran from Albumism called information technology "a pounding, fuzzed-upwards, nasty-sounding track that drips with the thrill of lust at showtime sight."[5] David Nathan of B&S Magazine remarked that the song pulls no punches. "Listening to it and reading the lyrics Janet wrote in a Virgin Records briefing room, I blush - in itself a rare occurrence."[3] BBC Radio 3's commended it equally an "impressive industrial fury" based on "oral satisfaction".[half-dozen] Andrew Hammp from Billboard declared it a "rockin' dance rail," with strings that "anchor the climax." The song's theme of avoiding temptation to interfere with monogamy was as well noted, calculation "Though Jackson lets her heed race with naughty thoughts [...], she ultimately stops herself from going after someone else's human."[7] Another editor, Larry Moving-picture show described it as a "moist, seductive teaser, wrapped in an equally sexy pop/hiphop groove." He added, "Her honey-sweet voice bounces off cyborg guitar riffing, taking the rhythm-rock vibe of her "Rhythm Nation" striking "Black Cat" to a more intense level. Tucked beneath the pleasingly crowded product is an infectious chorus and a corking funk bassline."[8] Greg Kot from Chicago Tribune wrote, "There's a surprising, fuzzed-up guitar riff lifted from Peter Gabriel'due south 'Sledgehammer' that gives 'If' some punch."[9] David Browne from Entertainment Weekly exclaimed it "takes Jackson into exciting new terrain," blending her vocals with "a traffic jam in a urban center of cyborgs."[10] A writer for Idolator chosen it an "industrial dance/sex ballsy" in improver to "infectious and raunchy," maxim "Janet Jackson'due south unmistakable vocalism is used to perfection to create an eerily tropical but beautiful track."[2] [11]

"If" was as well interpreted as "a swirling epic number", fusing "90s disco with guitar-stone," using a "Hendrix-lite guitar" throughout the song. Jackson's vocals were delivered at "interruption-neck speed, practically rapping about the salacious pleasures of her lover," while its production had "a lot of styles on brandish," including "distorted synth meets acoustic guitar."[12] [13] Nicholas Jennings of Maclean's chosen the "guitar-driven" song a "standout" for its explicit lines.[14] Alan Jones from Music Week gave information technology four out of v, noting it as "certainly unusual, and certainly a hit."[xv] James Hamilton from the magazine's RM Trip the light fantastic toe Update called it "guitar yowled swirling jittery jack swing pop".[16] Jon Pareles of The New York Times observed the vocal to open up with a "screaming guitar and a chanted verse, rising to a sweetness melody."[17] A reviewer from Popblerd said it "starts with guitar feedback" before transitioning into "a sweaty, sexy dance workout", adding it "blew us abroad."[18] Dave Ritz from Rolling Stone qualified it as both "subtle and bold," with Jackson'due south "bedroom fantasies" given "a fierce dressing-upward — tough jeep beats, hard-rock guitar, and a Diana Ross & The Supremes sample — and some missed simply what she was on nearly."[nineteen] [20] Music critic Richard Croft raved "the janet. anthology was a large sexual activity-fest from beginning to cease but nowhere was information technology hotter than 'If'," labeling the chorus "infectious, at the same time bitchy and vulnerable, defiant and desperate." The song's sexuality was considered to accomplish "the rare matter of being feminist and feminine at the aforementioned time without compromising either," saying the song is "a big pleading beloved song that put her totally at the whim of the man, and a large fuck-off canticle that said "I'one thousand here, I'chiliad Janet freaking Jackson, simply if you're not gonna notice me then go bent". Phrased a little differently, of course."[21] Sal Cinquemani of Slant Magazine said its content was "impending or merely imagined", adding "the very title of which embodies that fact, is substantially virtually masturbation, with Janet describing what her lover'due south "smoothen and shiny [cock]" feels similar against her lips while ostensibly rubbing herself off under the covers".[22] Craig Southward. Semon of the Telegram & Gazette stated "the naughty seducer" to exist one of Jackson's "virtually heady tracks."[23] An anecdote too stated Jackson became "the sexual practice kitten every man dreamed she would be," opposed to formerly known as "a sweet fresh faced girl singing little ditties most young love." The lyrics "purposely leaves something to the imagination," leaving one to wonder what Jackson is referring to: "Could Janet be talking about the lips, chest, or a homo's procreation stick? For freakiness' sake, I'd like to go with the concluding option over everything."[24] A reviewer from Vibe called it "a weird masterpiece".[25]

Nautical chart functioning [edit]

"If" debuted at number 57 on the Billboard Hot 100.[26] It peaked at number four and was certified Gilt past the Recording Industry Clan of America (RIAA) on September 28, 1993.[27] It reached number three on the Hot R&B/Hip-Hop Songs chart and peaked atop the Hot Trip the light fantastic toe Club Play nautical chart. It placed at number nineteen on the annual year-end chart.[28] In the Us "If" sold 600,000 [29] And sold an extra 212,000 from digital download [30] bringing the vocal to 812,000 copies sold in the US. In Canada, the song debuted at number ninety-two[31] before peaking at number three in October. It spent a total of nineteen weeks on the nautical chart[32] and was ranked at number twenty-v on Canada'south RPM year-terminate chart.[33] In the Great britain, "If" debuted on UK Singles Chart at number twenty-three and peaked at number 14 the post-obit week. Information technology spent a total of seven weeks on the nautical chart. The song performed moderately in Europe and Oceania. The song peaked in the top x of Sweden, kingdom of the netherlands, and New Zealand, besides peaking inside the top twenty in Australia.[34] [35]

On Apr ii, 2011, the song charted at number twoscore-v on the Billboard Trip the light fantastic/Electronic Digital Songs nautical chart.[36] [37]

Music video [edit]

Background [edit]

The music video for "If" was directed by Dominic Sena and choreographed past Tina Landon and Jackson, with additional choreography past Omar Lopez and Keith Williams. Information technology takes place in an Asian nightclub, displaying impact-screen technology and web cameras used to monitor the interactions of patrons. Jackson is the club'due south primary performer, being observed by patrons through screens who are able to enter the function by maxim the right password.[38] The video's themes of sexual fantasy, want, and voyeurism were intended as an elaborate metaphor for the vocal's racy content.[38] The video was too thought to have a "Blasian" theme, portraying interracial lust in the clip's "body language, the temper and her smoldering off-phase eye contact" with Jackson'south male interest, Michael Gregory Gong.[39] Jackson commented on the video, stating "It'southward zilch nasty or dirty, but it's very sexy. During taping I kept maxim, 'Oh, my god, I'm glad my mother is not here.'"[forty] An alternate version of the video known equally the "All Trip the light fantastic Version" focuses solely on the video's choreography. This version was shown on many music channels due to the original'due south suggestive visuals regarded as very explicit at the time. The uncensored video appears on the From janet. to Damita Jo: The Videos compilation, while the alternating version is included on the janet. video release and re-release of All for Yous.[41]

Synopsis [edit]

The video opens with a moonlit scene of a woman wearing a Kimono walking towards a building in an Asian village. The adult female walks to the door, looks into a hidden camera and says the countersign, "If". A homo operating the door from inside then grants her admission to the festivities. The inside of the bordello is then shown every bit a green light turns on, signaling male person dancers to be lowered from the ceiling, who descend upside downwards on ropes in a winding style simulating a corkscrew. The woman is then shown inbound the club. A wider view of the society is and then revealed, with club patron watching the stage as female person dancers perform. Various scenes of people attending the lodge are shown through touch-screen monitors and web cameras. Multiple screens are shown, and a man watching some of the other patron on the monitor uses the futuristic impact-screen to select angles of the functioning on the main phase. The doors on the master platform then rapidly open up as Janet, who is wearing a black and white tiptop, blackness pants and a Bohemian choker, descends the stairs and enters the master stage, surrounded by blowing ruby-red fabric and a radiant white light. She focuses solely on one homo in the audience watching her through the monitor as she and her dancers offset performing a sexually suggestive dance routine, three women in loftier style outfits are shown walking through the club and observing the men in attendance through a monitor. As Jackson continues entertaining the crowd, the adult female who was originally shown entering the bordello is again seen walking through the event, quickly paying one of the guards to permit her into the society's private sector. Jackson continues the routine equally additional scenes on a monitor are briefly seen. This leads into the video's choreographed breakup, with Jackson performing the routine equally angles switch multiple times. Jackson continues the intricate trip the light fantastic while a adult female is shown touching the epitome of a human's faces on another screen. Another adult female is so shown on a webcam, becoming aroused while observing a couple engaging in sexual activity. The video's final dance sequence begins, with Janet grabbing a male dancer's crotch region and simulating oral sex, before placing him on the floor and bending him over. Janet continues to seductively watch the homo in the audition every bit she performs, kneeling before the male person dancer and so lowering him to floor. The video ends with the man in the audition passionately touching an paradigm of Janet on the monitor, every bit the adult female who was shown entering the club is then seen exiting and walking towards the village.

Reception [edit]

Described past Jackson equally "a female fantasy," David Ritz of Rolling Stone analyzed the video to include "tantalizing bodies" and "mock-cunnilingus," forth with the "scrambled" reality and rampant voyeurism of Jackson watching herself as she'south observed past others through various monitors.[19] Usa Weekly described the set as an "elaborate, multilevel Chinese restaurant," complete with balconies, stairways and wide-screen monitors. The video's attire is all black, with the concept of "an overheated sexual fantasy," in specific a male person dancer being "grabbed, pawed and shoved around" by Jackson as she "drops downward, reaches through his legs and grabs his crotch," before she changes positions, "seizes his head and pulls it down to her own crotch." The extract ended, "ignore the demure young adult female whose musical message to a would-be lover used to be "Let's Wait Awhile." Ladies and gentlemen, encompass your crotches: Janet Jackson has grown up."[42] Arena Magazine described it as a "dramatic" change, remarking "the blackness compatible ripped off to reveal a slimmed-down, body-witting Janet. The transformation was dramatic." Jet Magazine idea the video displayed "a liberated Janet, who flirted with eroticism but steered clear of moves that would exist considered pornographic," also used to "showcase her pelvic thrusts and flashy dance moves."[43] Billboard exclaimed "If" to be a "climax" which is "inseparable from its iconic music video," based on its "caput-slapping choreography."[7] The video'south "seductive style of movement" was heralded as an evolution, replacing bulky militant uniforms with "midriff baring tops and chokers," embracing her "womanhood and sexuality."[44] [45] Camber Mag idea the video fulfilled the purpose of "providing the impetus backside i of the greatest dance-break routines in music video history."[22] The video was also praised as featuring "some of the about iconic choreography in history," adding "information technology's (sic) stunning imagery, footing-breaking choreography and Janet's fierce attitude is what fabricated this a masterpiece."[46]

Legacy and influence [edit]

"If" is i of several of Jackson's videos considered to influence a higher degree of sexual liberty among young women. Jean M. Twenge, author of Generation Me: Why Today's Young Americans are More than Confident, Assertive, Entitled—and More Miserable Than Ever Before (2007), wrote "in the 1950s, only 3% of the young women had received oral sex from a man. By the mid-1990s, however, 75% of women aged 18-24 had experienced cunnilingus. Music videos past female artists accept contributed to the trend," with Jackson "heavily implying male-on-female oral sex in music videos by pushing down on a homo's head until he'south in exactly the right position."[47] Similarly, Paula Kamen in Her Way: Young Women Remake the Sexual Revolution (2000) states that "[i]n the early to mid-1990s, oral sex even reached mainstream music as politically charged demand of truly liberated women," citing Jackson equally a prime case of a female creative person simulating cunnilingus in her videos, specifically in "If."[48]

The video was innovative for its depiction of impact-screen engineering science and web cams, which were not nonetheless invented at the time of its release. Jackson afterwards said, "I don't think people really realize what we were showing in that video that wasn't available with engineering science then. The video featured futuristic technology, specifically loftier definition touch screens. I wanted the actors in the video to apply these screens to communicate, and relate with each other in the clubs. Similar to what we all do with our smart phones and tablets today. As I look at our lives now, it seems that life is imitating art."[36] Jackson's balance of masculine ensemble with feminine outfits was too regarded as an immense part of her appeal, saying "Janet was the queen of tomboy looks and a full fledged sexual activity symbol at the same time. She merged the two opposites seamlessly, from baggy jeans and floppy hats to skintight Navajo bra tops in the "If" video."[49] [50]

Britney Spears was influenced by "If" for videos such as "I'k a Slave iv U", saying "Janet's video for 'If'. I saw that, and I admired information technology and wanted to exist like her," calling Jackson a "powerful role model" with "her own identity".[51] Elements of the "If" choreography has been referenced oftentimes, including "multiple videos" by Britney Spears, Beyoncé, Lady Gaga, Jennifer Lopez, Pinkish, Ciara, Mýa, Missy Elliott, and North' Sync, with specific examples including Christina Milian's "Dip Information technology Low", Lil' Kim's "No Thing What They Say", and Paula Abdul's "My Love Is for Existent".[46] 'North Sync also performed the video's dance breakdown during the opening functioning on their debut tour and in their "I Want You Back" video.[52] A critique of the video added, "Women want to be her. The gays want to be like her. Men want to do morally questionable things to her... The electric current ingather of artists, "including Gaga, Rihanna, Beyoncé, Britney etc ALL follow her trail-blazing footsteps."[46]

Jackson'southward videography, the "If" video in particular, helped establish Tina Landon's career as a legendary choreographer, with many subsequent female pop artist, including Britney Spears, Rihanna, Jennifer Lopez, Pink, Shakira, and Christina Aguilera, requesting to piece of work with her for their own music videos and projects.[44]

Live performances [edit]

Jackson performed the song as a medley with "That'southward the Way Love Goes" at the MTV Video Music Awards on September 2, 1993.[53] She wore a leather crop summit and jeans for this performance.[54] The performance was introduced by actor Christian Slater, who declared Jackson to accept "the sexiest bellybutton I've ever seen" during the announcement.[55] The MTV Video Music Awards performance is often considered one of the most infamous and intricate performances of Jackson's career. Complex considered the performance among "The 25 Sexiest Moments in VMA History," commenting "when Britney and Christina were busy dealing with midterms and acne, Janet Jackson was the queen of bringing sexy to the VMA stage. Though it'd no dubiety be considered tame by today's standards, Janet's exposed breadbasket and bra made for the hottest performance of the year."[56]

On the 1993-95 janet. Globe Tour, Jackson performed "If" as the opening vocal.[57] Lenny Stoute of the Toronto Star stated "This pelvic-thrusting, barrel-wiggling, lip-licking high-energy temptress is a long style from the cute 'n' chubby girl next door of her previous Rhythm Nation tour. And she came equipped with the tough dance moves, firm muscles and 7 costume changes to emphasize the departure."[58] Jet Magazine wrote, "Janet mesmerzied the crowd by opening with the hit song, 'If'."[59] Information technology has also been performed on all of her following tours, the janet. Earth Bout, The Velvet Rope Tour, All for Yous Tour, Rock Witchu Bout, Number Ones, Up Close and Personal, Unbreakable World Tour, and the Country of the World Tour. It is also included in her 2019 Las Vegas Residency Janet Jackson: Metamorphosis.

"If" was also performed at the 2009 American Music Awards as promotion for Number Ones, during a medley with "Miss You Much", "What Accept You lot Done for Me Lately", "Brand Me", and "Together Again". On the 2011 Number Ones, Up Close and Personal bout, The Boston Herald chosen the performance "an all-out dance onslaught," praising her ability to still perform "the same stylized trip the light fantastic toe moves from the archetype 1993 video."[60] [61] The Seattle Times exclaimed "Equally a woman who has never been afraid to strut her sexuality, her oh-no-you-didn't dance moves are e'er a delight. "If'southward" crotch grabbing and finger licking were classic Ms. Jackson (if you're nasty)", also maxim this "served every bit reminders that dancing is sometimes as of import as the songs themselves."[62] [63] An additional critique declared routine "defined her career and set her apart from contemporaries, including the newer ingather of performers," adding "the in-you-face up-sexy "If" fabricated it "credible that Ms. Jackson hasn't lost a step — fifty-fifty at 45."[64]

Legacy [edit]

In 2013, Esquire Magazine placed the song's "hypothetical" state of affairs among their list of "Sexiest Janet Jackson songs," saying "Janet wants you but you're in some other relationship and she respects boundaries (but her mind is still dirty)."[65] Rakesh Satwell of New York Magazine praised "If" as "a punch to the eardrum," declaring that it remains "as fresh every bit it did then" and a departure from radio trends twenty years afterward its release. Satwell considered the song "overwhelming" in the current mainstream landscape, in comparing to "our David Guetta glut." The song was commended equally a "more impressive feat" for sounding "every bit it if it'south from the future," in contrast to hits such equally Robin Thicke's "Blurred Lines" and Outkast'southward "Hey Ya!" which glorified "musical silk of the by."[66] In a similar comparison, its overall tone was considered "ten times more constructive" than Rihanna'due south "S&One thousand." Additionally, Satwell considered "If" one of Jackson's defining artistic moments, with the vocal's "sinister" and erotic tone evoked in future releases by artists such every bit Rihanna and Ke$ha. Satwell expressed consistently hearing "strains of its DNA" in various songs; its fusion of varied genres was considered to inspire subsequent stylistic songs such as LCD Soundsystem'southward "One Bear on," Rihanna's "Rockstar 101," and Aaliyah's "What If?." The orchestral sample used twice was regarded equally "genius" as an "innocuous but extremely constructive garnish," assuasive Jackson to "seethe with intensity" over the sound of "multiple drones." Satwell considered Jackson to brand a "definitive sexual statement" in a way which was "groundbreaking, enduring, and mesmerizing fashion," concluding "few people have ever had more than rhythm and control than Janet Jackson did in the summer of 1993."[66]

The song was applauded as a "sweaty, sexy trip the light fantastic toe workout" which "still holds upwardly" twenty years after its premiere.[18] Slant Magazine ranked it the twenty-second best song of the nineties, maxim the "dance rock" song "found Miss Jackson asserting her correct to have an orgasm the likes of which would dwarf your puny muscular spasms." Over filtered product suggesting "a cybernetic logjam," the song finer "prowls, marking its prey, staking its merits," likened to Jackson "playing with your listen". The song's peak of "sweetness harmonies of the bridge" plunges into "the crunching paradox of the chorus," ultimately decided to be "more metallic than carnal".[22] The track was also heralded as "a Large-ASS song that made a mark and blazed a trail." The song'due south theme of "hypothetical sexual fantasies" with undertones of sadness were considered "erotic and defiant", and its production of "wailing guitar chords, insanely catchy hip-hop beats, and some of Janet'south all-time vocals" adamant it every bit potentially "the most eclectic song of her entire discography."[46] Alicia Jackson of The Redefined said the song'southward "soft, sing-song nature" melded with "pure raunchiness" were "the gateways to who I am today," in relating the lyrics contrasted with Jackson's shy persona.[67]

Awards and nominations [edit]

Covers and remixes [edit]

Kelly Clarkson performed "If" on many dates of her All I Ever Wanted Bout.[69] Kwon Yuri of Girls' Generation performed covers of "If" during the 2011 Girls' Generation Tour. A studio version was released the post-obit twelvemonth.[lxx] Trip the light fantastic toe troupe A.Southward.I.I.D. performed a routine to "If" on an episode of America'southward Best Dance Crew titled "Janet Jackson Claiming". Charmaine P. Dennis of Cinema Blend commented "Everyone knows the famous hand blade/shuffle move, and the group pulls it off lovely."[71]

Electronic artist EPROM released a remix of "If" in 2011. Okayfuture described information technology as a "bubbly, reverb infused, deep bass remix", and Hypetrak said "Janet was ane of the most influential popular albums during the early nineties. Thus, it is more than than right that its standout single, "If," is still a demanded subject field to reinterpretation."[72] [73] Kaytranada released a remix of "If" in 2012. Okayplayer gave the remix a positive review, stating "That bumpin' bassline, the infectious claps and overall bouncin' nu-disco vibe... had us at hello. Rarely have we ever seen a sample washed oh so right."[72]

Track list and formats [edit]

Official versions [edit]

Credits and personnel [edit]

Credits adjusted from the janet. liner notes.[85]

  • Janet Jackson – lead vocals, backing vocals, producer
  • Jimmy Jam – producer
  • Terry Lewis – producer
  • Steve Hodge – mixing
  • Dave Rideau – mixing
  • Todd Perry – remixer
  • Darryl James – remixer
  • David Anthony – remixer

Charts and certifications [edit]

References [edit]

  1. ^ Pond, Steve (August 1993). "(championship missing)". U.s.a. Magazine: 74. Accessed September eight, 2013.
  2. ^ a b Sears, Stephen (May 20, 2013). "Janet Jackson's 'janet.' Turns 20: Backtracking - Music News, Reviews, and Gossip on Idolator.com". Idolator. Retrieved September eight, 2013.
  3. ^ a b c Nathan, David. "Janet Jackson". B&S Magazine. No. 637. p. 15.
  4. ^ Q, June 1993
  5. ^ Corcoran, Patrick (May 16, 2018). "Janet Jackson's 'janet' Turns 25: Ceremony Retrospective". Albumism. Retrieved November 17, 2020.
  6. ^ CD Review - Google Books. 1993. Retrieved September 8, 2013.
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  8. ^ Picture, Larry (July 17, 1993). "Single Reviews" (PDF). Billboard. p. 106. Retrieved Oct 26, 2020.
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  11. ^ "janet. xx years on... - Things I like and and then run!". May 19, 2013. Retrieved September 8, 2013.
  12. ^ "a review of 'janet.' by Janet Jackson - A Crowded Bookshelf". February 27, 2013. Retrieved September 8, 2013.
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  14. ^ Jennings, Nicholas (May 31, 1993). "Songs that scorch -- Janet. by Janet Jackson". Maclean'south. Vol. 106, no. 22. p. 54. ISSN 0024-9262.
  15. ^ Jones, Alan (July 24, 1993). "Marketplace Preview: Mainstream - Singles" (PDF). Music Week. p. 6. Retrieved March 30, 2021.
  16. ^ Hamilton, James (July 17, 1993). "Djdirectory" (PDF). Music Week, in Tape Mirror (Trip the light fantastic toe Update Supplemental insert). p. seven. Retrieved March xxx, 2021.
  17. ^ Pareles, Jon (May 23, 1993), "RECORDINGS VIEW - RECORDINGS VIEW - A Sex Object By the Name Of Jackson", The New York Times , retrieved July 14, 2010
  18. ^ a b ""janet." at twenty: An Appreciation - Popblerd!". May 24, 2013. Retrieved September 8, 2013.
  19. ^ a b Ritz, Dave (September 16, 1993). "Janet Jackson: The Joy of Sexual activity". Rolling Stone . Retrieved September viii, 2013.
  20. ^ "Saturdance - Janet Gets Rejiggered Again". February 16, 2013. Retrieved September 8, 2013.
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  22. ^ a b c d Cinquemani, Sal (February 17, 2008). "Janet Jackson: janet. - Music Review - Slant Mag". Retrieved September eight, 2013.
  23. ^ Semon, Craig S. (Baronial 1, 1993). "Janet Jackson is no longer Michael's little sister". Telegram & Gazette. p. 12. ISSN 1050-4184.
  24. ^ Hailey, Jonathan (May 16, 2012). "Happy Birthday! 10 Of Janet Jackson's Steamiest Lyrics - The Urban Daily". Retrieved September eight, 2013.
  25. ^ Group, Vibe Media (April 1994). Vibe Mag. p. 104. Retrieved September 8, 2013.
  26. ^ "The Billboard Hot 100: Week Ending of July 24, 1993". Billboard. Prometheus Global Media. Retrieved May 17, 2011.
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  29. ^ "Ask Billboard". Billboard. Vol. 106, no. iii. BPI Communications. June 25, 2010. ISSN 0006-2510. Retrieved December 8, 2016.
  30. ^ "Best-selling Records of 1993". Billboard. Vol. 106, no. iii. BPI Communications. January 15, 1994. p. 73. ISSN 0006-2510. Retrieved May 4, 2015.
  31. ^ "Top Singles - Volume 58, No. 2, July 24, 1993". RPM . Retrieved May 17, 2011.
  32. ^ "Top Singles - Volume 58, No. 20, November 27, 1993". RPM. Archived from the original on Oct 23, 2012. Retrieved May 17, 2011.
  33. ^ a b "The RPM Top 100 Hit Tracks of 1993". RPM. Library and Archives Canada. Retrieved May 9, 2020.
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  • Halstead, Craig; Cadman, Chris (2003), Jacksons Number Ones, Authors On Line, ISBN0-7552-0098-5

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Source: https://en.wikipedia.org/wiki/If_(Janet_Jackson_song)

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